stephen.nyc

Tag: Music

  • UbuWeb Returns

    From the homepage of ubu.web:

    A year ago, we decided to shutter UbuWeb. Not really shutter it, per se, but instead to consider it complete. After nearly 30 years, it felt right. But now, with the political changes in America and elsewhere around the world, we have decided to restart our archiving and regrow Ubu. In a moment when our collective memory is being systematically eradicated, archiving reemerges as a strong form of resistance, a way of preserving crucial, subversive, and marginalized forms of expression. We encourage you to do the same. All rivers lead to the same ocean: find your form of resistance, no matter how small, and go hard. It’s now or never. Together we can prevent the annihilation of the memory of the world.

    Next time you have an hour to yourself. Peruse these archives. Watch, listen, read and learn from others that came before us. The about page says it all:

    Founded in 1996, UbuWeb is a pirate shadow library consisting of hundreds of thousands of freely downloadable avant-garde artifacts. 

  • David Bazan has consistently produced music that scratches my itch. Careful lyrical slices of a life rife with internal struggles, his Pedro the Lion records are embedded into my amygdala. In my opinion, Winners Never Quit and Control are quintessential albums that sit in my teenage requiem. Bandcamp interviews Bazan on some of his influences, past and future, and of course, his bandcamp picks. Highly recommend reading, and happy listening.

    bandcamp.com

  • Photographer Sue Kwon Captured the New York Hip Hop Scene in Its Infancy

    Kwon is best known for capturing the burgeoning New York hip-hop scene from the late 1980s to the late 2000s, featuring iconic figures such as Notorious B.I.G., Method Man, and De La Soul​.

  • Paul Nicholson, designer and creator of the Aphex Twin Logo shares his creative design process

    Back in 2017, Resident Advisor visited Paul Nicholson. He shares his creative design process for Aphex Twin’s (Richard D. James) Selected Ambient Works Volume II (sometimes abbreviated as SAW II) album artwork. Novel and fun to hear him talk about some of the design choices he made. You can tell he’s giddy to expand on some of the deliberate artwork choices (like the chart symbols corresponding to different tracks on SAW II).

  • Megan Thee Stallion x Nike Collaboration: Hot Girl Systems

    Megan Thee Stallion x Nike Collaboration: Hot Girl Systems

    Today, Megan Thee Stallion announced that she’s got a collaboration with Nike. Megan’s line is called, Hot Girl Systems. On Instagram, she gave us a little preview of her debut long-sleeve bodysuit:

    So sick. So fire. Tough vibes. I love it.

    For the uninitiated (or perhaps the out-of-touch?), Megan is deeply passionate about staying fit and has a savage workout routine. She’s aspirational, iconic and a cultural vanguard. All attractive traits to Nike who regularly works with those who dare to just do it. I am so proud of her.

    Personally, I’m digging the look and feel of the Bomber Jacket. Check the back Nike symbol on the zipper and back. So sick:

  • Chiptune.app

    I came across this really cool project on Hacker News a while back and it’s just been sitting in my bookmarks. It’s an excellent little toy to fiddle with and explore chiptune music from the past. Chiptune.app was created by Matt Montag, and it just the neatest little thing I’ve seen in a long time. I’m going to enjoy spending my downtime browsing through these archives. I may even sample a few tracks with my used OP-1 I picked up earlier this year.

    Screenshot of the Chiptune.app UI. I was smitten to discover the tracks from the Alien 3 SNES game ????

  • Danny Elfman Breaks Down His Most Iconic Tim Burton Scores

    Danny Elfman is a musical genius. The man really needs no introduction. But, for those who are unaware, a small sampling of his talents includes: The Simpsons, Nightmare Before Christmas, several Tim Burton films, Mission Impossible, Spider-Man, MIB, hundreds of collaborators, and that’s just abridged resumé. Batman (1989) was a groundbreaking movie at the time, and the score is iconic to say the least.

    I saved an excerpt from his interview with GQ on the Batman score below because it’s simply amazing. Warner Bros. Studios wanted Elfman to collaborate with Prince to make a score for Batman. I don’t hate it, but it would have changed the movie in unimaginable ways I can’t even fathom:

    I’ve never done anything harder than Batman because first off, I had to prove myself. You know, it’s like, okay, he’s the quirky comedy guy, and here I am doing like this Batman movie. Understandably, I think they were like, “uh, we need somebody who knows how to do this kind of music.” But, nobody knew what kind of music it was. There really was no superhero music. There was just Superman. And, we said we know we don’t want it to be Superman — John Williams.

    And, then there was an element with the producer in the studio of wanting it to be a pop score. There was definitely this moment of like, “Danny, we want you to collaborate with Prince and co-write the score.” And I go, I can’t do that. People go, “you really said that?” I love Prince, but not for that score. I already knew what the score was, and I knew that if I collaborated, he’d be writing tunes, and I’d be orchestrating his tunes, and I would be essentially a glorified arranger rather than a composer, you know. Because he was world famous, and I was still nothing.

    I had to walk away. I was so depressed. I felt like I just blew up my own career. And then a month later I got the call saying, Danny, you’re back on. It’s like this gamble paid off. But, it was a miserable period of time. On the other hand, I already heard the music in my head. I knew what it was, and I was determined that that was gonna be the score. The producer was so hard on me, John Peters, and then [they’re finally] he’s in — I think it’s the third presentation. And, I didn’t know how to do presentations.

    I was playing this weird music stuff that was all like inspired, you know, crazy. And then Tim says, play the March, “play the March, play the march!”
    [That’s] what he called the titles. I go, “oh yeah, I got this piece here.” And of course, now I know, you lead with your headline, obviously. I didn’t really know, or understand that back then. And I put this piece of music on, and John starts conducting in his chair. And then at a certain point he stands up,
    and he’s going like this. [Danny waving his arms like a conductor] Tim looks at me and he’s like [Danny laughing], “yeah, we got it.”

  • The Unsolved Case of the Most Mysterious Song on the Internet

    The Unsolved Case of the Most Mysterious Song on the Internet

    David Browne at Rolling Stone writes:

    Exactly why so many people are investing so much time and energy into this search baffles someone like Baskerville. “I don’t want to sound like a traitor to the cause, but I don’t know what all the fuss is about,” the DJ says. “If I thought it was the best thing since sliced bread, I probably would be more interested, but I don’t think it’s a particular interesting song.” For his part, “Mkll” insists it’s about acknowlegement, that “the people behind the song get proper credits for their work.” A mysterious poster claimed credit for the song and put it on Spotify, but others determined he wasn’t even born when it was released.

    But at a time when any tidbit about anything can be called up online in a matter of seconds, the song that may be “Like the Wind” is a source of fascination and wonder for thousands of people dedicated to finding the people who created it. “I think the fact that I’m so interested in this isn’t even because of the song itself — it’s understanding why this song is so mysterious and why nobody can find anything about it,” Vieira admits. “It’s simply surreal.” In other words, as Zúñiga puts it, “Apart from the song itself being so catchy, it’s exactly the fact that people cannot locate it in four seconds that makes it interesting.”

    Should this who-sung-it be solved, some involved are already wondering about the harsh realities that could result. Would the singer and/or musicians involved (assuming they’re alive) be dragged out of obscurity and thrust in the limelight — only for fans of the song to realize they’re retired, out of practice and only had one decent song? What if the song was actually released on a small label in the Eighties? Would it then become an overpriced collector’s item out of reach of anyone who’d want to own it? “How many hundreds of people will have more money to spend than me and will ban me from purchasing an original?” Zúñiga asks. “Would that be fair?” What if everyone involved in the search simply moves on to something else once they know?

    This spunky New Wave anthem mystery is well-documented and has captivated sonic heads across the web. I adore the obscurity and mythology. The legend around this track is amazing. Allegedly recorded from a 1984 west German public radio station show. It remains unsolved for now. Take a listen:

  • Ryuichi Sakamoto has died

    Ryuichi Sakamoto has died

    Truly devastating. Ryuichi Sakamoto dies at 71. Cancer claims another great. One of the greatest pioneers of electronic music. An early adopter, a vanguard of just so much. His influence alone was revolutionary and profound. He was deeply beloved, and considered to be the father of J-pop and other synth-pop influences.

    From Pitchfork:

    “While undergoing treatment for cancer discovered in June 2020, Sakamoto continued to create works in his home studio whenever his health would allow,” Sakamoto’s management, Commmons, wrote in its statement. “He lived with music until the very end. We would like to express our deepest gratitude to his fans and all those who have supported his activities, as well as the medical professionals in Japan and the U.S. who did everything in their power to cure him. In accordance with Sakamoto’s strong wishes, the funeral service was held among his close family members.”

    The man knew how to create magic out of thin air. I mean just listen to this stuff:

    https://www.youtube.com/watch?v=mJEZFTbxm4o

    Unbearably tragic to think about him being gone.

  • In Rainbow Roads by on4word

    In Rainbow Roads by on4word

  • 2022 in Review

    2022 in Review

    Every subsequent year feels like it’s worse than the previous year. That’s not the reality of course. It just feels that way. Due to the connected nature of life now (thanks to Twitter and the Trinet). Each of us are saddled with an incalculable weight of the year’s past. We sulk around with so much in our little heads. The inane, the devastating, the memes, the news, the crosswords, the work, the emails, the to-dos, the payments, the notifications and yes — even your parents social status updates from Facebook.

    Naturally, we’re all very tired. I guess we live for this, right? We are after all, members of the human race. Despite what the madness every year brings us, we’re also graced with some good things too. When the years brings good tidings more so than bad tidings, I’d call it a good year.

    2022 was mostly a good year, I’d say.

    Let’s look over a few things from this past year. I even threw in a couple of things from 2021 I was dying to get caught up with.

    TV & Film

    There was a lot of content to watch this year. Ever since the pandemic became an endemic, I’ve found myself in theaters more than ever before. Alamo Drafthouse, I love you so ❤️ But the fact remains that streaming is now the de facto means to consume America’s greatest export, film and TV programming. Here’s some of my favorites from this past year (in no particular order or grouping).

    There’s so much more that belongs on this list ????

    Music

    There’s so much more I listened to, but I’m my favorite artist I discovered in 2022 is probably Sugar Candy Mountain. If you enjoy Tame Impala, you’re going to love them.

    Art

    Didn’t see much art this year. But, thankfully I had a friend who came to visit, and had a big list of exhibitions and galleries to see. We hopped around all day seeing art. I’ll need to see more art in 2023, that’s for sure.

    The Diane Arbus exhibition at David Zwirner was a once-in-a-lifetime exhibit.

    Games

    I played a lot of games this year. Or maybe I should say, I played a lot of Modern Warfare II this year. Activision/Blizzard really knocked it out of the park. But there were a few games that really outshined others.

    Apps

    I have become a person who regularly relies on apps on my iPhone and Mac now. Wether or not I enjoy that admission is another thing.

    • TickTick – I don’t know where I’d be without this app
    • Duolingo – learning Korean, Finnish and Spanish!
    • Citymapper – old trusty, my daily carry for getting about NYC
    • Letterboxd – the original film diary
    • iA Writer – literally nothing compares

    Places

    Every year, my goal is to travel somewhere new. This year, I flew to Las Vegas twice. I traveled by Amtrak once in the summer. I hope to do more train trips in the future. It’s a luxurious and chill way to travel.

    • Las Vegas, Nevada
    • Saratoga Springs, New York
    • Great Sacandaga Lake, New York
    • Fort Worth, Texas

    Books

    I’m notoriously slow at reading. I have a Kindle that I swear by, but alas — like you, I am a mere mortal and only have so many hours in the day (and night). These books I really enjoyed (a few on this list, I have yet to finish, oops).

    Looking Ahead

    A lot happened in 2022. Personally, and globally. Not a lot of good things happened globally honestly. But, personally I feel like I’ve grown a bit. Things are looking up, I’m feeling positive about myself, and where I’m headed.

    Looking at my calendar for 2023, I really hope to travel more. Wait, why does that sound familiar? In 2022, I went back to the gym, and rode the ol Peloton quite a bit. Next year, will hopefully be no different. Another goal I have in mind is to speed up my reading habit, because I’m not getting any younger. Looking ahead, feeling’ rad. See y’all around✌️

  • Oneohtrix Point Never and Oism

    Oneohtrix Point Never and Oism

    I’m a big Oneohtrix Point Never fan. Those who know me well, know that. Now, you dear reader, know this about me as well. Welcome to the inner circle.

    I was listening to Age Of the other day, and it stuck me that cover art is really something else. It really drew me in to inspect it a bit closer. At first glance, kinda witch-y, kinda cult-y, cool! I dug in further. A quick Google revealed the painting featured on the cover of Age Of is by an artist who’s name is Jim Shaw.

    Age Of Cover Art, Oneohtrix Point Never / Warp Records. 2018

    I kept digging and found some details of the original painting at artresearchmap.com. Check it out:

    Jim Shaw, The Great Whatsit, 2017
    acrylic on muslin, 53 x 48 inches, 134.6 x 121.9 cm.
    Jim Shaw. Installation view, 2017. Metro Pictures, New York.

    Some of Jim’s other work is pretty spectacular too. Check out the rest of Jim Shaw’s 2017 exhibition. This fleshy acrylic Head is just a marvel to look at. It’s haunting, disturbing and just glistens. Can’t look away.

    Jim Shaw, Head, 2017
    Foam, aqua resin, acrylic paint, and synthetic hair with metal base
    34 1/2 x 12 x 12 inches, 87.6 x 30.5 x 30.5 cm

    Shaw’s artwork seems to simmer in dense crockpot of American pop culture. Ripe with metaphors and symbolism, the musical motifs are certainly interesting to behold. Simon Lee Gallery has a great excerpt that captures Shaw’s penchant perfectly:

    Shaw’s ongoing project Oism contains a narrative core and ironically challenges the norms of an artwork. Marking Shaw’s attempt to create a functioning religion, complete with its own history, totems and traditions, Oism is drawn from profound and far-reaching research initiated in the early 1990s into the history of American religious practice and finds inspiration in the messianic cults active in America’s Bible belt. The creation and study of Oism has fuelled a wide range of artworks-cum-artefacts, and includes, amongst others, paintings, photographs, sculptures, collages, posters, films and musical instruments.

    Whoo. I’ll say! The Great Whatsit, is certainly effective pursuit of his Oism narrative. The Sunday school hymnal-esque illustration of singing women, bathed in MacBook sunbeams perfectly evokes the Warner Sallman white Jesus brand, with a hint of psychedelic vibes. If you ask me, Shaw hit the nail on the head. American culture on a spectrum. Both searching for a messiah, burning the candle at both ends.

    If we want to go deeper, Daniel Lopatin’s string choice for the title track, is a Hapsichord. Apart from snapping so fucking hard as an intro (it’s so good), it really sets the tone as a meditative album from the get-go. I just love the marriage between Oism and 0PN. It’s almost like they’re teasing a sort of recommended set-and-setting for this album. Such a strong connection that can’t be ignored, between these two artists. It’s perfect.

    Furthermore, Lopatin’s MYRIAD sets were literally mind-bending, world shattering Oism concerts. I mean just look at this. These fellas know exactly what they’re doing. Building myths, stories and tales forged in music and wonder. One of a kind stuff here. Excelsior.

  • Daft Punk Has Split Up

    Jazz Monroe for Pitchfork reports:

    Daft Punk, the Parisian duo responsible for some of the most popular dance and pop songs ever made, have split. They broke the news with an 8-minute video titled “Epilogue,” excerpted from their 2006 film Electroma. Asked if Daft Punk were no more, their longtime publicist Kathryn Frazier confirmed the news to Pitchfork but gave no reason for the breakup.

    Thomas Bangalter and Guy-Manuel de Homem-Christo formed Daft Punk in Paris in 1993, helping to define the French touch style of house music. Their debut album, 1997’s Homework, was a dance music landmark, featuring classic singles “Around the World” and “Da Funk.” By the release of its follow-up, Discovery, in 2001, the duo had taken to making public appearances in the robot outfits that became their trademark. The singles “One More Time” and “Harder, Better, Faster, Stronger” cemented them as global superstars. Their imprint in the popular imagination continued to deepen in subsequent years, with records including third album Human After All, live LP Alive 2007, and the Tron: Legacy soundtrack album.

    Damn. End of an era.

    Just the other day, this blessed man uploaded the most incredible footage of the duo from Chicago, Grant Park, the last stop on the Alive 2007 tour. 2:44 in, they sample Close Encounters of the Fifth Kind Theme song. It really gave me hope that we would live to see another tour, but I suppose not anymore. Best of luck to the robots ✌️

    https://youtu.be/udvYSd2TIkg
  • Joywave’s, “Obsession” music video features incredible fictional movie title screens

    Joywave’s, “Obsession” music video features incredible fictional movie title screens

    Joywave, a rad indie band that hails from Rochester, New York is known for their penchant for the meta and the weird. Just watch their 2015 music video for Somebody New and you’ll see what I mean. In 2019, Joywave released the single Obsession, in preparation for the full-length Possession slated for March 2020. The single came with goodies, a delicious music video that is oozing with nostalgia and American culture.

    Here’s a few of my favorites stills from the music video:

    The music video is well produced. It’s also very visibly Los Angeles. THat’s not a slight either. It’s really beautiful. It has the weight of a hundred films, and shows just how flexible the Los Angeles landscapes can be for filmmakers. Check it out:

  • Poolside.fm

    Poolside.fm

    It’s pretty rare these sorts of websites exist anymore, but here we are in 2019 and poolside.fm has me completely captivated. In my opinion, the same advice given to athletes, goes for websites, apps and startups too:

    Do one thing, really well.

    Poolside.fm does one thing very well indeed. Emulating a very specific aesthetic. Observe:

    Player detail. I just love this. Reminds me of System 8.

    It just so happens to play the most wonderfully curated playlists this side of the internet. Come for the aesthetic, stay for the jams. Right? Poolside is a labor of love from Marty Bell (@marty). Marty also admins a VIP entrepreneurs chat room called Jacuzzi Club.

    Poolside consists of the classic trappings of a decent music site: a delicious summery mix of jams, dancey tunes, indie tracks, seasonal goodies, lo-fi mixes and rarities that your neighboring college radio station envies — I could easily spend days here myself. It has a fantastic nostalgia too (Majestic Casual anyone?). It’s a good place. In an age where algorithmically generated playlists tend to breed boring, repetitive (and all too frequently predictable) Spotify playlists and Twitter trends, Poolside fills the void with serendipitous sounds that I seemingly never grow tired of.

    I feel like this exactly what the music community needs right now. According to The Verge:

    That’s intentional. Poolside.FM has about 32,000 followers on Instagram, and Bell says that the site has 4,000 monthly listeners. He wants to grow that number this year and continue building up the community. Part of that is welcoming new listeners, but he also wants to encourage other artists and musicians to submit their tracks. It’s a collaborative process.

    Spectacular. Very encouraging.

    Visit Poolside.fm
  • Shannon Lay – Death Up Close

    Shannon Lay – Death Up Close

    Another exemplary kickoff music video for her upcoming album, August. Directed by the legendary Matt Yoka. Delightfully creative, strange and has the aftertaste of meta you know and love. Enjoy: